There’s an ominous look to the red clay as this highlight
reel begins. The bright midday sun in Madrid has baked it back to its elemental
state; the court appears to be as dry and dusty as a desert, as hostile as the
surface of Mars. It’s a place where you might go out to play a friendly tennis
match and not come back alive. Just ask Rafael Nadal and Novak Djokovic.
Their semifinal at the Madrid Masters was the third time
they clashed during the clay season. The first two encounters, in the finals in
Monte Carlo and Rome, had been stylishly dramatic affairs. But this one took
the Spaniard and the Serb as far into their reserves—physical,
psychological, spiritual, vocal—as either of them has ever gone. Neither player would be the same afterward. The winner, Nadal, would lose for the first
time in six matches to Roger Federer the next day, suffer an upset at the hands
of Robin Soderling at the French Open two weeks later, withdraw from Wimbledon,
fail to win another tournament, and end the ATP season on an all-time low note
in London. A visibly drained Djokovic would also be upset at the French, and
would go without a title until making a surge at the tail end of the year.
While they were in free fall, Federer, who hadn’t beaten Nadal or Djokovic in
2009 before this event, won in Paris and at Wimbledon without facing either of
them. It may have been only the third-best match of 2009, but the Massacre in Madrid was the season’s
most pivotal. If you want to get an idea of what it did to the guys who played
it, check out this 15-second clip of Djokovic from his press conference
afterward.
I was on vacation in Madrid during this tournament, and the
strong sunlight at the start of the match is enough to bring back very
vivid memories of the trip and the city—I don’t think you can have a memory of
Madrid that isn’t vivid. The sun in that elevated, land-locked metropolis seems
to hang right in the middle of the sky all day. It wasn’t just warm in
spring; the sun felt closer, a part of your daily existence. Under it I ate
stingingly fresh shellfish—how does it get all the way to Madrid in that
state?—at a beloved hole in the wall called Ribeiro de Mino. Everyone orders
one entrée, an intricately and perilously structured mound of prawns, crabs,
barnacles and other gnarled sea creatures; it’s an artwork. Speaking of which,
I also stood in awe at the Goyas and Velazquezes in the Prado and Picasso’s
Guernica across the street at the Sofia. Wandered the regal and immaculately
festive grounds of the city’s central park, the Retiro. Found a cool
Spanish-language poster for the movie Blow Up and an almost-as-cool set of
mustard-colored New Balances. And, on the day of this semifinal, strolled
through the streets of the upscale Salamanca neighborhood, until I noticed Djokovic’s blue shoes dancing around on a
TV set inside a café.
Earlier in the week I’d been out to the tournament site, the
Magic Box, for a day, and I’d planned to go again for the final—this seemed
like the right balance of sight-seeing and tennis-watching. But how many times do you
poke your head into a café and see Nadal and Djokovic on the flat screen? I had
to stop and see how this installment of their rivalry, which has produced so
much jaw-dropping tennis in the last three years, was playing out. This is what
I wrote when I posted about the match in May:
In the back of the café are three fellow tourists from the
U.S., a mother with her teenage son and daughter. The boy was rooting for
Djokovic, the girl for Nadal. We had the place to ourselves for a moment. I was
thinking that I’d yet to find any spot in Madrid—bar, restaurant, shop, you
name it—that was this quiet, that wasn’t vibrating with humanity. Before I
could finish the thought, the noise of laughter and chatter had filled the
room, and a dozen or so young men and women were streaming through the door.
Spanish or not, anyone who has ever been to a wedding would
recognize this group. A marriage ceremony had just ended in a church around the
corner, and this set of friends has escaped for beers and cigarettes. The men
stood a little awkwardly in dark suits and ties; the women sat down around them
on stools, taking the opportunity to get off their feet. Everyone smoked and
smiled and drank, and there was relief in the way they swayed as they faced
each other in a semicircle. The pressure of the formal occasion was off.
They also watched Nadal, their countryman. In the time they
were in the café, his semi with Djokovic went from being one more entertaining
slugfest into a classic. As the third set wound into its fourth hour and toward
an inevitable tiebreaker, their conversation was repeatedly
punctured by an “Ah!” or a “Si!” or a “Vamos!” or any number of involuntary
blurtings that sports fans everywhere recognize as the sounds of impassioned
disbelief. After each one, the whole group stopped talking and turned their
heads to the screen.
There they saw a heavyweight fight on dirt. Through dint of
effort, Nadal had shrugged off his earlier constricted form and was swinging
freely. If anything, Djokovic was even freer; he wasn’t stroking the ball, he
was clubbing it, but his viciousness retained an elegance. The wedding party
may have had a reception to attend, but there was no way they could leave now.
***
Looking at that heavyweight fight again seven months later,
this is what I can add:
—Tennis Channel commentator Jason Goodall says late in the
match, “I’m running out of superlatives.” But the only one we hear, over and
over, is “Brilliant!” Until Robbie Koenig chimes in with an equally
appropriate “Ridiculous!”
—How many times has Djokovic started out on fire against
Nadal only to find that he can’t quite maintain that level long enough? He goes
up 3-0 here, and seems to be making especially good use of his wide serve in
the deuce court. His ability to take a Nadal forehand and send it down the line
with his backhand will always make him a tough match-up for Rafa, no matter
what the surface.
—Late in the first you can see Nadal find his feet. He
starts to build enough confidence to hit down the line with abandon. He’s not
always confident enough to do that.
—It’s a shame Nadal doesn’t make it to the net more. He may
have the best overhead in the game. Not only does he rarely miss it, he rarely
fails to spike it with authority for a clean winner. And if a lob is high and deep, he’s adept
at taking a little off it and slicing the smash into a corner where his opponent can’t
reach it.
—Grunting in men’s matches is less conspicuous than it is
women’s matches. You wouldn’t expect anything else in this one.
—One negative note: As compelling as the rallies were, this
match was played at a very slow pace. It took four hours, but as Federer said,
“those guys take their time.” Long breaks between points don’t usually bother me when I’m in the stadium. But when I’m
watching on TV, without a DVR, it can sap my viewing energy.
—By the third set, Nadal is the one on top of the baseline
and Djokovic is doing the running. With each game, Nadal’s headband moves a
little farther up his forehead while his forehands get slugged with a little
more reckless abandon. Like the clay below these guys’ feet, the match in its later
stages feels like tennis at it most elemental.
—The third-set tiebreaker speaks for itself. The match
reached its peak and reached its end at the same time. So did 2009 for both of
these guys.
***
I’ll finish the same way I finished in May:
The wedding-goers eventually stopped talking and just stared
at the screen. Blue shoes or yellow sleeves, both guys—Djokovic exasperated but
valiant right to the last point, Nadal willing himself to believe the day could
end with a victory and having come too far not to make it happen—commanded our
attention. Nadal’s celebration of this win, which he had manufactured for the home
fans on an off day, could be set in stone and placed in front of the Magic Box.
He landed prone on his back, hands at full stretch above his head, his body
rigid as a statue. No town likes a party more than Madrid, whatever the
occasion, so it’s fitting that in this city we saw a tennis match that was more
than just a thrill or a battle or a spectacle. Nadal-Djokovic was a celebration
of everything we call competition.



